Tuning into the Universal Unique

“If we chose not to place identity at the center of our conducting, we could allow the dance of time to float into our imaginations”. 146

As long as we conduct the continuity of the same, we live in a world where change is exceptional. … Conducting the experience this way we continue to ‘be’ our patterns and our limits, our prospects and our aspirations, the identities we proclaim and the perceptions we own. DTS 145…DTS 147

But we don´t have to identify with the position of being the conductor. Instead of conducting like a maestro in the concert hall, we can conduct as a wire conducts electricity. We can conduct without identity not shaping but allowing. DTS 147

Time ‘allows itself’ to be conducted, and so allows every kind of conducting as well. There is a style of conducting more in tune with the dance than the narrative. Instead of conducting forward into order, we can improvise. And the improvisation before (prior) the same (measure-out) move has unique qualities and dimensions. In this uniqueness there is neither exclusion nor derivation, the dimensions of every kind are included in the universal unique.

Time itself offers the gate to a subtle inward. Through the depth of open, the quality of life can be conducted within the reality of our own experience. DTS 154

Knowledge improvised on the basis of imperfections (pain, ignorance, obstacles) conducts the presentation of the universal unique.

In an inward and improvised conducting, we may touch the lightness of being: a loosening in the body, in the head, in the mind – a lightness let loose everywhere.