Mozart’s embodiment of knowledge

Marcia writes well of her working with Ex. 34 at a concert. Blending this inner energy with sensing experience seems very powerful. It makes me want to go to a concert. But that won’t happen soon.

The embodied feeling of Ex. 34 is different from the analysis of Ex. 4a, that’s true. But isn’t the idea to experience the train of thoughts in the same embodied way? I don’t mean with the same “body of energy,” but with the same sense of presence, and of full engagement?

Jack