Category Archives: uncatagorized

Ex.18 B Evening, in the theater sitting: how do I now experience time? Cutain has been opening. It is how gliding into my “self”. And, although I´m looking toward the stage, I´m nothing aware of the scene on stage. I´m … Continue reading →

To be aware of time: I recognize time by the clock, by events happenimg along the time-axis, past and future: it is 6 o’ clock, my vacations only will last three days, tomorrow we will be invited at 3 o’clock. I’m … Continue reading →

Observing my activities reveals I – ‘now‘, relate to everything else ‘then’, which reveals a past-present-future structure of linear time. I constantly attempt to freeze time in order to take up a memory of someone, or a situation, to reference … Continue reading →

Hello “oldtimer and newcomer”. It is refreshing with this “Linear Time”-theme for me. Somehow I find always a way getting into the exercises. And Jack´s introduction for this object and week is larded with helpful questions. My focus with Ex. … Continue reading →

  Hi, Jack, I´m back again. I would like to comment on your initial letter introducing this second course.   “If you set out to experience time, do you only experience the events that happen in time?” The zen tradition … Continue reading →

Hello everyone, and welcome to the 2d program for this year. The focus is linear time. Those of you who did the last course will find connections, since linear time is what supports subject and object, and the subject only … Continue reading →

I want to say, that I´m on a journey for three weeks. I will try to read the posts and to work with the course, but I don´t know, if I can work it out. Peter

Dear Friends, I’ve been a bit busy, too, over the last weeks, but I’d like you to know that I’ve been contemplating the subject-object dance, nevertheless. In response to a recent post by Jack, I went through the books and … Continue reading →

Excuse the pun in the title of this post; I couldn’t pass it up. David’s description is very good. I am of course most interested in the later description, where the painting paints itself, and process takes over. This is … Continue reading →